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The Awakening: A Novel (Modern Library Torchbearers), by Kate Chopin
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Über den Autor und weitere Mitwirkende
Born and raised in St. Louis, Kate Chopin (1850–1904) married the son of a cotton grower and moved to Louisiana. A mother of six by the age of twenty-eight and a widow at thirty-two, she turned to writing to support her young family, publishing two novels and almost one hundred short stories.
Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.
THE AWAKENING I A GREEN AND yellow parrot, which hung in a cage outside the door, kept repeating over and over: “Allez vous-en! Allez vous-en! Sapristi! That's all right!” He could speak a little Spanish, and also a language which nobody understood, unless it was the mocking-bird that hung on the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence. Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust. He walked down the gallery and across the narrow “bridges” which connected the Lebrun cottages one with the other. He had been seated before the door of the main house. The parrot and the mocking-bird were the property of Madame Lebrun, and they had the right to make all the noise they wished. Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining. He stopped before the door of his own cottage, which was the fourth one from the main building and next to the last. Seating himself in a wicker rocker which was there, he once more applied himself to the task of reading the newspaper. The day was Sunday; the paper was a day old. The Sunday papers had not yet reached Grand Isle. He was already acquainted with the market reports, and he glanced restlessly over the editorials and bits of news which he had not had time to read before quitting New Orleans the day before. Mr. Pontellier wore eye-glasses. He was a man of forty, of medium height and rather slender build; he stooped a little. His hair was brown and straight, parted on one side. His beard was neatly and closely trimmed. Once in a while he withdrew his glance from the newspaper and looked about him. There was more noise than ever over at the house. The main building was called “the house,” to distinguish it from the cottages. The chattering and whistling birds were still at it. Two young girls, the Farival twins, were playing a duet from “Zampa” upon the piano. Madame Lebrun was bustling in and out, giving orders in a high key to a yard-boy whenever she got inside the house, and directions in an equally high voice to a dining-room servant whenever she got outside. She was a fresh, pretty woman, clad always in white with elbow sleeves. Her starched skirts crinkled as she came and went. Farther down, before one of the cottages, a lady in black was walking demurely up and down, telling her beads. A good many persons of the pension had gone over to the Chênière Caminada in Beaudelet's lugger to hear mass. Some young people were out under the water-oaks playing croquet. Mr. Pontellier's two children were there—sturdy little fellows of four and five. A quadroon nurse followed them about with a faraway, meditative air. Mr. Pontellier finally lit a cigar and began to smoke, letting the paper drag idly from his hand. He fixed his gaze upon a white sunshade that was advancing at snail's pace from the beach. He could see it plainly between the gaunt trunks of the water-oaks and across the stretch of yellow camomile. The gulf looked far away, melting hazily into the blue of the horizon. The sunshade continued to approach slowly. Beneath its pink-lined shelter were his wife, Mrs. Pontellier, and young Robert Lebrun. When they reached the cottage, the two seated themselves with some appearance of fatigue upon the upper step of the porch, facing each other, each leaning against a supporting post. “What folly! to bathe at such an hour in such heat!” exclaimed Mr. Pontellier. He himself had taken a plunge at daylight. That was why the morning seemed long to him. “You are burnt beyond recognition,” he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her lawn sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile. “What is it?” asked Pontellier, looking lazily and amused from one to the other. It was some utter nonsense; some adventure out there in the water, and they both tried to relate it at once. It did not seem half so amusing when told. They realized this, and so did Mr. Pontellier. He yawned and stretched himself. Then he got up, saying he had half a mind to go over to Klein's hotel and play a game of billiards. “Come go along, Lebrun,” he proposed to Robert. But Robert admitted quite frankly that he preferred to stay where he was and talk to Mrs. Pontellier. “Well, send him about his business when he bores you, Edna,” instructed her husband as he prepared to leave. “Here, take the umbrella,” she exclaimed, holding it out to him. He accepted the sunshade, and lifting it over his head descended the steps and walked away. “Coming back to dinner?” his wife called after him. He halted a moment and shrugged his shoulders. He felt in his vest pocket; there was a ten-dollar bill there. He did not know; perhaps he would return for the early dinner and perhaps he would not. It all depended upon the company which he found over at Klein's and the size of “the game.” He did not say this, but she understood it, and laughed, nodding good-by to him. Both children wanted to follow their father when they saw him starting out. He kissed them and promised to bring them back bonbons and peanuts.
Produktinformation
Taschenbuch: 240 Seiten
Verlag: Modern Library (18. Juni 2019)
Sprache: Englisch
ISBN-10: 1984854364
ISBN-13: 978-1984854360
Größe und/oder Gewicht:
13 x 1,2 x 20,3 cm
Durchschnittliche Kundenbewertung:
3.5 von 5 Sternen
49 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 496.792 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
"The Awakening" ist eine gute und einprägsame Geschichte. Sie wird um Einiges interessanter wenn man Kritiken/Analysen dazu liest und sich eigene Gedanken macht. Ich mochte das Werk, beschäftige mich aber derzeit mehr mit den diversen Kurzgeschichten Chopins von denen hier einige enthalten sind. Von den nachfolgenden Werken habe ich 17 gelesen und fand sie alle sehr gut, teilweise auch amüsant. Die Autorin bringt interessante Fragen im Bezug auf ihre Gesellschaft, deren Vergangenheit, Gegenwart und Männer- und Frauenrollen/-bilder auf.A Pair of Silk StockingsA Point at Issue!Doctor Chevalier's LieMiss McEndersThe Christ LightThe Maid of Saint PhillippeVagabondsWiser Than a GodThe Storm: A Sequel to "The 'Cadian Ball" (wurde nie zur Veröffentlichung vorgesehen)von: "Bayou Folk"A Gentleman of Bayou TêcheA Lady of Bayou St. JohnAt the 'Cadian BallBeyond the BayouIn SabineLa Belle ZoraideOld Aount PeggyThe Father of Désirée's Baby (Désirée's Baby)von: "A Night in Acadie"A Matter of PrejudiceA Respectable WomanAthénaiseAzélieCalineRegretRipe FigsTonie (At Chênière Caminada)von: "A Vocation and a Voice"An Egyptian CigaretteElizabeth Stock's One StoryHer LettersLilacsThe Dream of an Hour (The Story of an Hour)The KissThe Unexpected
Hat mir gut gefallen. Es ist gut geschrieben, so dass das Lesen Spass macht. Würde es auf jeden Fall weiter empfehlen.
Moves so slowly,then ends abruptly. Irritating characters without meaning. Wish I hadn’t wasted my time. There are too many good books out there to read this junk.
Beeindruckend in Inhalt und Stil . Eine besondere Form der Literatur- und Kulturgeschichte des amerikanischen Südens des späten 19. Jahrhunderts. Aus weiblicher Sicht geschrieben, aber nicht auf weibliche Leser/ innen begrenzt.
Ich möchte hier nichts über den Inhalt Chopin's Roman schreiben, sondern über diese Ausgabe. Wer diese Ausgabe hier kauft, sollte wissen: Das Buch kommt in DIN A4-Größe, ist NICHT mit Seitenzahlen versehen und die Kapitel beginnen oft am Seitenende. Übersichtlich ist etwas anderes!
Written more than a century ago Chopin's novel seems to be some kind of American counterpart to Madame Bovary - a young attractive woman, wife and mother discovers the limits and limitations that the society of the 19th century are unsurmountable for any woman to overcome - either be content with the role of a housewife and mother or....But there is no alternative that is in any way socially accteptable.So the novel ends with the protagonist swimming out into the open blue sea, obviously without any intention to ever return. There are a couple of scenes where it is up to the reader to deduce what really happenened - did she really sleep with the young atttractive man or could she control her impulses? How can you be a good mother when this is clearly something the protagonist doesn't want to be? It is really an impressive novel that reads as fresh today as it was scandalous when it was published. So the novel hasn't dated at all. Very recommendable.
Edna Pontellier, the protagonist of Kate Chopin's "The Awakening," lives in New Orleans in the 1890's. She seems to have it all--two lovely children, physical beauty, an extremely comfortable lifestyle, and good social standing. However, one summer, Edna experiences the aforementioned "awakening," and she realizes that her life is vapid and devoid of meaning. She is a trophy wife who has no real connection to her husband. She loves her children, but she is not extremely involved with them. Who is Edna? What does she want? She wants to experience life to the fullest, without constraint. She wants personal freedom, without the need to conform to the social mores of her day. However, she does not want to harm her children while seeking her own personal fulfillment. Edna's torment leads to a deep depression. The reason that this book has attracted so much attention is that it was written a century ago, long before women had heard of "liberation". Chopin's writing is eloquent and moving. She describes Edna's agony in a way that is surprisingly modern. Although it is difficult to sympathize with a woman who is not mired in poverty and who has a great deal to be thankful for, I understand that she feels stifled by a lifestyle that does not suit her. It is astonishing that a woman, writing in the 1890's, would articulate this radical viewpoint. She must have received a great deal of criticism at the time. This book does have some flaws. Some of the key characters are not fully fleshed out. Robert, Edna's close friend, is a handsome and affectionate companion, but little more. Mr. Pontellier, Edna's husband, is an insensitive lout, who treats his wife in the way that he would treat a pet. These caricatures weaken the book. I get the feeling that Chopin is so anxious to convey her "message" that she feels the need to stereotype the men in Edna's life. However, "The Awakening" is a book that articulates a viewpoint that is way ahead of its time, and for that alone, it is worth reading.
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